Tuesday, April 13, 2010

Aminatta Forna reads from The Memory of Love



Award-winning author Aminatta Forna will be reading from her new book The Memory of Love (Bloomsbury 2010) as part of the Pinter Centre’s ongoing AHRC-funded project ‘Beyond the Linear Narrative’.
The reading will be followed by a chance to discuss the work with the author. Wine and refreshments will be served.


April 28th, 5:30pm, Senior Common Room, Goldsmiths, University of London


About The Memory of Love
“Delivering to us a common centre, no matter where we happen to have been born, Aminatta Forna tackles those great human experiences of love and war, of friendship, rivalry, of death and triumphant survival. Often darkly funny, written with gritty realism and tenderness, The Memory of Love is a profoundly affecting work” KIRAN DESAI, winner of the Booker Prize


“A subtle and complex exploration, daring in depth and scope, of both the psyche of a war and the attractions which it holds for an outsider. Forna is a writer of great talent who does not shy from tackling the toughest questions about why humans do the things they do: from the smallest acts of betrayal to the greatest acts of love.” MONICA ALI


About the author
Aminatta Forna was born in Scotland and raised in West Africa. Her first book The Devil that Danced on the Water was runner-up for the Samuel Johnson Prize 2003. Her novel Ancestor Stones was winner of the 2008 Hurston Wright Legacy award, nominated for the International IMPAC Award and selected by the Washington Post as one of the most important books of 2006. In 2007 Vanity Fair named Aminatta as one of Africa’s most promising new writers. Aminatta has also written for magazines and newspapers, radio and television, and presented television documentaries on Africa’s history and art. Aminatta Forna lives in London with her husband.

Posted by Pinter Centre for Research at 1:21 AM 0 comments
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About the Project

'Beyond the Linear Narrative...' is a 3 year AHRC funded research project being carried out by the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London.

Taking Pinter’s work as a starting point for, or symbol of, the fracturing of narrative across many art-forms in twentieth and twenty-first century work, this research project asks a series of questions about the links between inter-cultural and political change and the emergence, or re-emergence, of non-linear and fractured narrative.

Focussing on literature and performance, particularly in postcolonial and diasporic contexts, it will ask why non-linear narrative has been such a feature of this period’s artistic production. If these fractured and experimental forms are a response to the breakdown of the west’s grand narratives of progress, what forms of resistance or revision do they provide?

In what ways can they be seen to emerge from the increasing interaction of different cultures in the colonial, post-colonial and post-Cold War world? How do such fractured narratives work in postcolonial and diasporic writing and performance? How can these fractured forms explore our culturally diverse society’s competing and conflicting narratives?

The project addresses the ways changing understandings of the self have contributed to the disruption of linear narrative, and in particular, how fractured narratives enable the move away from the Cartesian mind/body duality to an understanding of the embodied self, making the writing of the body such an important element in contemporary performance, fiction and life-writing.

About the Pinter Centre

The Pinter Centre for Performance and Creative Writing is an interdisciplinary research centre at Goldsmiths University involving principally the Departments of English & Comparative Literature and of Drama, with links with Media and Communications, Music, PACE and the Digital Studios.

In line with Harold Pinter’s keen awareness of the centrality of political issues, the Centre is particularly committed to looking at postcolonial and diasporic literature and performance, and the ways in which contemporary creativity is forging new forms that respond to the cultural diversity of the world in which we live. It also has a strong interest in questions of gender, and writing and performing the body.

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